My Favourite Painting: Frances Morris
Frances Morris, Director of Tate Modern, chooses an absorbing abstract.
My Favourite painting series, from Country Life
Frances Morris, Director of Tate Modern, chooses an absorbing abstract.
The National Gallery's Tracy Jones chooses a haunting image painted by Paul Delaroche.
The paint historian chooses an equine masterpiece from a century ago.
The Bishop of Norwich feels a deep connection with Constable’s Rainstorm over the Sea, which captures 'the sense of God's immanence'.
Martin Waller, the co-founder of design boutique Andrew Martin chooses a raw image by one of New York's most powerful and tragic artists.
'Last year (on the back of a tricky calving season), I fell in love with cows. Looking at this painting is the perfect antidote to an anxiety-filled Brexit, coronavirus world.'
The chief executive of Historic England chooses a strikingly simple, beautiful image from a modern master.
Jewellery designer Annoushka Ducas chooses a René Magritte painting which hangs in the Museum of Modern Art in New York.
Tim Hands chooses a wonderfully warm portrait of one of the most loved thinkers of the Victorian era.
'There is a sublime and sensual beauty about all aspects of this painting.'
Artist and collector Viktor Wynd chooses a haunting picture by Austin Osman Spare.
'This exquisitely decorated painting with a young, ginger-haired man screwing up his face, expressing disgust, and also fear, suggested by the whites of his eyes – such a vivid detail.'
'The setting sun pulses, the motion in the waves and figures is slowly rhythmic and the mountains float on the horizon.'
'An extraordinary statement on the intoxicating power of art,' says Hartwig Fischer as he chooses 'Untitled' by Cy Twombly as his favourite painting.
Tim Parker, chairman of the National Trust, chooses a right royal rarity: Goya's painting of the Spanish king and his family depicted as normal people, rather than leaders and figureheads.
The broadcaster John Humphrys on his choice of a classic Turner picture.
A painting which was inspired by the best-selling novel Ben Hur — and which went on to inspire the famous 1959 film — is the choice of James O'Donnell after his chance encounter one afternoon.
'Our West Highland terrier stood in for the cat; Anna put on a big hat, but, to my regret, I never got round to buying a spotty dressing gown.'