My Favourite Painting: Bryan Ferry
'I now think that it was one of the key influences in my own development as an artist' Brian Ferry says of his choice, Manet's Olympia.
My Favourite painting series, from Country Life
'I now think that it was one of the key influences in my own development as an artist' Brian Ferry says of his choice, Manet's Olympia.
Peter Sheppard, The Norfolk Churches Trust, chooses a Venice 'snapshot' that still captures the character of the city more than 500 years after it was painted.
The philanthropist Finlay Scott chooses an unusual portrait of Whistler which captures some of the great man's spirit.
Tate Director Maria Balshaw picks a powerful work by Lubaina Himid, whose major solo exhibition will open at Tate Modern in November.
Mark Dowie of the RNLI makes an appropriately nautical choice: Cochrane’s Compensation by John Chancellor.
Baroness Lola Young chooses a picture by Sonia Boyce thats' 'about the invisibility of black women who neither had a place in feminism nor black liberation movements'.
Quentin Blake chooses his favourite painting for Country Life.
Retired army office Sir Simon Mayall explains his love of a 'vibrant tableau summons up the exotic allure of India'.
Lord Mendoza, provost of Oriel College, chooses 'The Painter and his Pug' by William Hogarth.
Xavier Salomon of The Frick Collection chooses Allegory of Virtue and Vice by Paolo Veronese.
'The large canvas encapsulates an era of elegant élan, of modernity and jazz that makes you want to jump in and join the party.'
Philanthropist Sir Tim Sainsbury picks out a true Renaissance masterpiece.
Photographic historian Robin Muir chooses a portrait by Ambrose McEvoy.
Baroness Floella Benjamin chooses her favourite painting, a striking portrait which 'proves that talent and determination can transcend all barriers.'
Racehorse trainer Sir Mark Prescott chooses a haunting portrait.
Lord Hall chooses a masterpiece by Della Francesca.
The lawyer-turned-Carmelite nun chooses Bathsheba at her Bath by Rembrandt.
'An alluring lightness of touch overlaid with skill and artistry.'
James Fox chooses his favourite painting for Country Life.
Sheherazade Goldsmith chooses an unusual abstract photograph that challenges what we mean by art.