The Uffington White Horse restoration has got it looking at its best, 3,000 years after it was first created
The Uffington White Horse, the oldest chalk figure in Britain, has just undergone a superb restoration.


A year-long restoration project to Britain’s oldest chalk figure, the Bronze Age Uffington White Horse in Oxfordshire, is now complete.
Aerial studies showed that some parts of the 3,000-year-old horse had narrowed by as much as half their original width over time, especially around the head and neck area, which left archaeologists from Oxford Archaeology and the National Trust with the slow task of removing encroaching topsoil and grass and redistributing some of the top layer of chalk.
At the same time, soil samples from the figure’s lowest levels were taken in the hopes of accurately dating it, something that has not been done since the 1990s when techniques were not so advanced.
Through Optically Stimulated Luminescence (OSL) dating, crystalline materials such as quartz or feldspar will be analysed to determine when they were last exposed to sunlight. The results can be expected later this year.
The Uffington White Horse is such an ‘intriguing figure as we don’t know for certain its original purpose,’ says Trust archaeologist Adrian Cox.
‘It could have been a way of marking territory or a tribal symbol. What we do know is, through the efforts of generations of local people, the horse has been cared for, allowing it to survive for thousands of years to become an iconic feature of the landscape.’
The Uffington White Horse, Oxfordshire
Thousands of years ago, ancient Britons created a vast and spectacular stylised portrayal of a horse in the hills of
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Annunciata grew up in the wilds of Lancashire and now lives in Hampshire with a husband, two daughters and an awful pug called Parsley. She’s been floating round the Country Life office for more than a decade, her work winning the Property Magazine of the Year Award in 2022 (Property Press Awards). Before that, she had a two-year stint writing ‘all kinds of fiction’ for The Sunday Times Travel Magazine, worked in internal comms for Country Life’s publisher (which has had many names in recent years but was then called IPC Media), and spent another year researching for a historical biographer, whose then primary focus was Graham Greene and John Henry Newman and whose filing system was a collection of wardrobes and chests of drawers filled with torn scraps of paper. During this time, she regularly gave tours of 17th-century Milton Manor, Oxfordshire, which may or may not have been designed by Inigo Jones, and co-founded a literary, art and music festival, at which Johnny Flynn headlined. When not writing and editing for Country Life, Annunciata is also a director of TIN MAN ART, a contemporary art gallery founded in 2021 by her husband, James Elwes.
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