'Stonehenge of the North' saved for the nation
The future of the Neolithic site at Thornborough Henges — which has been dubbed 'The Stonehenge of the North' — has been secured, and the site saved for the nation. Annunciata Elwes reports.


This time last year, the general public had little knowledge of Thornborough Henges — a series of three interlinked henge earthworks, each more than 656ft in diameter and dating back to 3,500BC–2,500BC, where once thousands of people gathered for ceremonies — near Ripon in North Yorkshire.
Now, the site is referred to as the ‘Stonehenge of the North’, following a triumphant 12 months that saw English Heritage open two out of the series of three henges to the public for the first time — after the land was handed over by construction companies Tarmac and Lightwater Holdings.
The third henge was acquired just this month.
[LISTEN: Britain's stone circles and henges, with Professor Vicki Cummings]
The purchase was made possible by a grant of £150,000 from The National Heritage Memorial Fund, as well as support from Jamie Ritblat and family and The SCS Trust. Now, for the first time in 1,500 years, this ‘remarkable survivor from the prehistoric past, from deep, deep history’, has a single owner.
‘We are incredibly proud,’ says Gerard Lemos, chair of English Heritage.
‘Reuniting the henges like this means that the public is now able to explore all three and re-connect with the people who gathered here 4,500 years ago.’
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The northern henge — the one most recently acquired — is actually the best preserved of the three (indeed, one of the best preserved henges in the country), as the central and southern henges have been farmed. Evidence shows that, once, all three of the huge circular banks were covered in gypsum crystals and ‘would have glowed white for miles around’.
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Annunciata grew up in the wilds of Lancashire and now lives in Hampshire with a husband, two daughters and an awful pug called Parsley. She’s been floating round the Country Life office for more than a decade, her work winning the Property Magazine of the Year Award in 2022 (Property Press Awards). Before that, she had a two-year stint writing ‘all kinds of fiction’ for The Sunday Times Travel Magazine, worked in internal comms for Country Life’s publisher (which has had many names in recent years but was then called IPC Media), and spent another year researching for a historical biographer, whose then primary focus was Graham Greene and John Henry Newman and whose filing system was a collection of wardrobes and chests of drawers filled with torn scraps of paper. During this time, she regularly gave tours of 17th-century Milton Manor, Oxfordshire, which may or may not have been designed by Inigo Jones, and co-founded a literary, art and music festival, at which Johnny Flynn headlined. When not writing and editing for Country Life, Annunciata is also a director of TIN MAN ART, a contemporary art gallery founded in 2021 by her husband, James Elwes.
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