Why automobile-inspired interiors are creeping into the family home

Furniture designers still have much to learn from the automotive industry.

Mulsanne Speed Bentley interior
(Image credit: Bentley Interior)

The news that Bentley recently commissioned Gainsborough, the historic Suffolk silk-weaving company, to create a bespoke damask for its EXP 100 GT concept car is yet another a sign that the lines between automotive and interior design are increasingly fuzzy.

The interior of a luxury car is one of its key selling points, particularly for those who can’t tell a camshaft from a crankshaft, and, in many respects, it’s an area in which car manufacturers have left furniture designers idling at the lights.

One can only assume that the owners of a Bentley have to exert massive self will to drag themselves from the car’s cosseting embrace and into the relative discomfort of their homes. However much you splash out on a sofa, it’s unlikely that it will be as comfortable as the back of a limo – or that it can be adjusted in 12 different settings or that the stitching is the work of Hand & Lock, the company that has made royal and military dress uniforms since the late 18th century.

Bentley car bench interior

Gainsborough has a similarly impressive pedigree, having been in business for much more than 100 years, with a client list that includes Morris & Co and Henry Ford and archives dating back to the 15th century.

The root of the problem is that, in the design of classic chairs and sofas, comfort is often constrained by convention. Given the emphasis that Modernist designers place on function, it would be tempting to think that they might have provided the answer. Yet other than an impressive attempt by Charles and Ray Eames (their Lounge Chair is the closest you’ll get to the club-class experience without leaving the ground), much contemporary furniture is a triumph of style (and the designer’s ego) over comfort.

'The designs, launched to mark Bentley’s centenary, also include sofas, chairs, tables and lighting, most with a discreetly Art Deco feel'

The same could never be the case at the top end of the car industry and there’s no doubt that car designers significantly raise the bar. When you’re building a twin turbocharged V8 engine, you can’t cut any corners and car designers tend to take the same approach to a passenger’s comfort.

Fortunately for Bentley owners, there’s no need to slum it away from the cosseting embrace of a Mulsanne Speed, Bentayga or Flying Spur. Last year, the company unveiled new additions to its furniture range – a desk, armchair and matching footstool – at the Milan Furniture Fair that ooze with the sotto voce sophistication of the brand. The designs, launched to mark Bentley’s centenary, also include sofas, chairs, tables and lighting, most with a discreetly Art Deco feel. There might not be Bentley-style extras, such as fridge set into the back or a desk that folds into your lap, but the pieces are, nevertheless, suitably swish.


Weathered horsebox standing in sunlight in a meadow of long grass in the New Forest, England

Credit: Alamy Stock Photo

Jason Goodwin: When a rusty old horsebox becomes a chariot of happy dreams

A chance find in a neighbour's barn might not quite be the rusting Bentley of dreams, but nonetheless inspires our

The Bentley Continental GT Convertible

Credit: Stuart Price

Bentley Continental GT Convertible review: Power and poise in perfect harmony

Elegant, but burly like a bare-knuckle brawler, Bentley’s new Continental GT Cabriolet is both slick and rugged says James Fisher.

Credit: Bentley

Bentley Continental GT review: 100 years on, Bentley still making the ultimate hybrid of sports car and limousine

Over the past decade and a half the Bentley Continental GT has become the most-successful model in the company's history. As

Rolls-Royce

Credit: Rolls-Royce

How a mix of new-look cars and old favourites saw Rolls-Royce buck the trend of the British car industry

Rolls-Royce smashed its car sales record in 2019, and with Bentley also doing well it seems that better times are

Giles Kime
Giles Kime is Country Life's Executive and Interiors Editor, an expert in interior design with decades of experience since starting his career at The World of Interiors magazine. Giles joined Country Life in 2016, introducing new weekly interiors features, bridging the gap between our coverage of architecture and gardening. He previously launched a design section in The Telegraph and spent over a decade at Homes & Gardens magazine (launched by Country Life's founder Edward Hudson in 1919). A regular host of events at London Craft Week, Focus, Decorex and the V&A, he has interviewed leading design figures, including Kit Kemp, Tricia Guild, Mary Fox Linton, Chester Jones, Barbara Barry and Lord Snowdon. He has written a number of books on interior design, property and wine, the most recent of which is on the legendary interior designer Nina Campbell who last year celebrated her fiftieth year in business. This Autumn sees the publication of his book on the work of the interior designer, Emma Sims-Hilditch. He has also written widely on wine and at 26, was the youngest ever editor of Decanter Magazine. Having spent ten years restoring an Arts & Crafts house on the banks of the Itchen, he and his wife, Kate, are breathing life into a 16th-century cottage near Alresford that has remained untouched for almost half a century.