The Annunciation, 1442–48, by Domenico Veneziano (about 1410–61), 10½in by 21¼in, The Fitzwilliam Museum, Cambridge.
Martin Kemp says: This magical little picture, the central predella panel from Domenico Veneziano’s St Lucy Altarpiece in Florence, marks my transition at Cambridge from natural sciences to art history. The perspective appealed to my scientific instincts, with its geometry incised into the white gesso priming. However, the maths do not rule. The space of the loggia and garden – and the passage of light – is as delicately tender as the meeting of the Virgin and Angel. I particularly like the closed door (porta clausa) that is a symbol of virginity, as is the trellis of roses without thorns.
Martin Kemp, Emeritus Professor of the History of Art at the University of Oxford, is a leading expert on Leonardo da Vinci and art and science. His latest book, Living with Leonardo, was published in March.
John McEwen comments on The Annunciation: Domenico, as he is known, was one of the most innovative painters of his time. His novel artistic concern was the way light changed colour – well illustrated in this picture, with its play of out-side and in. Piero della Francesca was his assistant for a period and it’s through him that Domenico has most influenced the course of art, because his personal legacy amounts to a mere two signed works and some plausible attributions.
Little is known of his early years; only his name suggests that he was Venetian. As a boy, he was in the Florentine workshop of Gentile de Fabriano and, after his master’s death, worked in the 1430s with Pisanello in Rome. The most vivid glimpse of him is offered by Vasari, albeit from hearsay and written in the following century: ‘Domenico was a good, kind person who enjoyed singing and playing the lute.’
Vasari says he was murdered by an envious artistic rival, which has been proved a falsehood. A 1438 letter to Piero di Cosimo de’ Medici, begging to paint him an altarpiece, survives.
His masterpiece is the high altarpiece, showing The Madonna and Child with Saints, for the Florentine church Santa Lucia de’Magnoli—one of the defining religious works of its time.
Sadly, it has long been removed from its proper devotional place to the Uffizi Gallery and further vandalised by the breaking up of its predella – a structurally supportive lower tier of five smaller panels illustrating events in the lives of the principals, including The Annunciation. The Fitzwilliam and the National Gallery in Washington DC have two each and the other is in Berlin’s Staatliche Museen.
My Favourite Painting: Virginia Wade
Virginia Wade chooses her favourite painting for Country Life.
My favourite painting: Gabriele Finaldi
'I love paintings by elderly artists, eloquent with accumulated skill and a lifetime’s experience'
My favourite painting: Roger Scruton
'It is as if I am being singled out by that woman’s look and told that I do not matter—a
-
A well-connected rural playground with 23 acres on the edge of the South Downs National ParkOld House Farm is an impressive family home with a wealth of amenities that would inspire any rural passion.
-
The UK gets its first ‘European stork village’ — and it's in West SussexAlthough the mortality rate among white storks can be up to 90%, the future looks rosy for breeding pairs in southern England.
-
'As a child I wanted to snuggle up with the dogs and be part of it': Alexia Robinson chooses her favourite paintingAlexia Robinson, founder of Love British Food, chooses an Edwin Landseer classic.
-
The Pre-Raphaelite painter who swapped 'willowy, nubile women' for stained glass — and created some of the best examples in BritainThe painter Edward Burne-Jones turned from paint to glass for much of his career. James Hughes, director of the Victorian Society, chooses a glass masterpiece by Burne-Jones as his favourite 'painting'.
-
'I can’t look away. I’m captivated': The painter who takes years over each portrait, with the only guarantee being that it won't look like the subjectFor Country Life's My Favourite Painting slot, the writer Emily Howes chooses a work by a daring and challenging artist: Frank Auerbach.
-
My Favourite Painting: Rob HouchenThe actor Rob Houchen chooses a bold and challenging Egon Schiele work.
-
My Favourite Painting: Jeremy Clarkson'That's why this is my favourite painting. Because it invites you to imagine'
-
The chair of the National Gallery names his favourite from among the 2,300 masterpieces — and it will come as a bit of a shockAs the National Gallery turns 200, the chair of its board of trustees, John Booth, chooses his favourite painting.
-
'A wonderful reminder of what the countryside could and should be': The 200-year-old watercolour of a world fast disappearingChristopher Price of the Rare Breed Survival Trust on the bucolic beauty of The Magic Apple Tree by Samuel Palmer, which he nominates as his favourite painting.
-
My favourite painting: Andrew Graham-Dixon'Lesson Number One: it’s the pictures that baffle and tantalise you that stay in the mind forever .'
