The Ship’s Figurehead Carver: ‘It used to be a profession and every port would have had one, but now it’s a dying art’
Andy Peters is probably the only person in Britain who could describe himself as a full-time ship’s carver. He spoke to Tessa Waugh.

In the expert hands of Andy Peters, pine is sculpted into a glorious array of decorative items, from show-stopping figureheads that stand up to 15ft high to simple name boards.
Although a lot of his original work is done for collectors, he also assists with restoration projects and has carved panels out of Brazilian mahogany for modern superyachts.
‘I looked into it and realised that ship’s carver used to be a profession and every port would have had one, but now it’s a dying art,’ says the craftsman, who honed his skill as a furniture restorer and practised on his own boats before setting up his business, Maritima Woodcarving, in 1990.
His largest contract to date has been carrying out the historical research and carving for a replica of a Swedish East India Company ship from 1738 called the Götheborg. ‘Re-creating period pieces so precise that they could be mistaken for the original is one of the things I enjoy the most,’ he enthuses.
Figureheads can be many things beyond the buxom beauties of children’s storybooks. ‘Many British warships had lions, figures from Greek mythology were popular and merchant ships tended to have a portrait of the owner or his wife,’ he explains.
Andy Peters has written a book entitled Ship Decoration 1630–1780 and will be exhibiting his work at Craft in Focus, RHS Wisley, Surrey, from May 3 to 7. You can also find out more at his website, www.maritimawoodcarving.co.uk.
Credit: ©Richard Cannon/Country Life Picture Library
Sign up for the Country Life Newsletter
Exquisite houses, the beauty of Nature, and how to get the most from your life, straight to your inbox.
The Pigeon Fancier: 'I set up a deckchair in the garden and wait for them to come back. That’s the most exciting part.'
This week’s Living National Treasure is Colin Hill, a pigeon fancier whose birds regularly race from the tip of Scotland
The gold stamper: ‘The younger generation is very appreciative of artisan work – they’re the ones driving the trend’
This week's Living National Treasure is John Timms, the man who leads the team that stamps gold lettering into thousands
The Florist: 'What I do is like good cooking – if you have beautiful ingredients, you can’t go wrong'
This week's Living National Treasure is royal florist Shane Connolly – and while he might be based in Britain, he's
Credit: Living National Treasure: The Glassblower - ©Country Life/Richard Cannon
The Glassblower: 'When something goes wrong you can't fix it – you just sling in into the bosh bucket and start again'
Ian Shearman's team of glassblowers are still making glass using a technique that's 2,000 years old. Mary Miers found out
Credit: Martin Frost photographed by Richard Cannon ©Country Life
The disappearing art of fore-edge painting, and the last man in Britain still doing it for a living
Giles Kime profiles the amazing Martin Frost, the last commercial fore-edge painter in the country.
Bringing the quintessential English rural idle to life via interiors, food and drink, property and more Country Life’s travel content offers a window into the stunning scenery, imposing stately homes and quaint villages which make the UK’s countryside some of the most visited in the world.
-
The 21st century sword maker: 'There’s something appealing about getting metal hot and smacking it with a hammer'
Practising ancient techniques to craft modern heirlooms, bladesmith Owen Bush handmakes both decorative and practical knives or weaponry, each with their own personalities, says Claire Jackson — with some of his swords celebrities in their own right. Photographs by Richard Cannon for Country Life.
By Claire Jackson Published
-
The secrets of the basket-maker: 'With a basket, you watch it grow before your very eyes'
Anna Stickland has woven a new career as a basket-maker; she spoke to Nick Hammond.
By Country Life Published
-
Where I Work: Huw Edwards-Jones, master craftsman and canoe maker
The ups and downs of 2020 didn't see Huw Edwards-Jones change where he worked, but it did change what he did: he's used the time to switch from creating beautiful hand-made furniture to spectacularly beautiful canoes. He spoke to Toby Keel.
By Toby Keel Published
-
In Focus — The Cotswolds silversmith: 'We make beautiful works of art to last for hundreds of years'
Tucked away in an old Cotswolds silk mill, expert craftsmen harness a century of expertise to raise, planish and finish fine gold and silverware. Jeremy Flint visits Hart’s of Chipping Campden.
By Country Life Published
-
The master shoemakers who shod Churchill: 'Demand is through the roof, but it takes six to eight months to make a pair'
The co-owners of bespoke shoe shop George Cleverley, father and son George Glasgow Snr and George Glasgow Jnr, talk to Hetty Lintell.
By Hetty Lintell Published
-
The dolls' house-maker: 'This is a place to capture the dreams of children and adults alike'
Dragons of Walton Street have been making beautiful dolls' houses for four decades, and the company is still run by Lucinda Croft, the daughter of the founder. She spoke to Hetty Lintell.
By Hetty Lintell Published
-
Meet the Beadles: The centuries-old private police force at Burlington Arcade, the world's swishest shopping mall
This week marked the 200th birthday of London’s Burlington Arcade. Adam Hay-Nicholls goes undercover with the Beadles, its private police force. With photographs by Richard Cannon.
By Country Life Published
-
The bagpipe-maker: 'The older customers want me to make their pipes sharpish; they want to be sure they’re not dead before they get to play them!'
Hours of intricate work are needed to craft a set of bagpipes. Kate Lovell spoke to bagpipe-maker Dave Shaw to find out how it's done.
By Country Life Published