My favourite painting: Tessy Ojo
The chief executive of The Diana Award chooses a picture that will inspire you to find 'people who will help you stand tall and not make you shrink'.
The chief executive of The Diana Award chooses a picture that will inspire you to find 'people who will help you stand tall and not make you shrink'.
Jane Wheatley meets Cotswolds artist Jeremy Houghton.
A talking point that can inspire passions and transform a landscape, large-scale sculpture is increasingly valued by modern collectors. Anna Tyzack meets the artists bringing grand visions to life. Photographs by Joe Bailey and Mark Williamson.
Jane Wheatley meets Piotr Gargas to find out more about his art.
Jane Wheatley meets Nigel Calvert to discover how glassblowing fulfils him in a way that poring over hundreds of pages of legal fineprint could not.
Art critic and historian Frances Spalding chooses an unusual work by Hans Holbein the Younger.
Surrealism meets romance and whimsy in the work of David Blakemore, as Jane Wheatley finds out.
The Queen's milliner Rachel Trevor-Morgan picks Lady Agnew of Lochnaw by John Singer Sargent.
The landscape architect picks out a dramatic biblical image given new life by 'Il Fiammingo'.
Food writer Ameer Kotecha chooses a picture whose creator clearly loves food as much as the rest of us.
The artist Daniel St George Chatto chooses perhaps the most famous sequence of paintings from the early Renaissance: Giotto's Scrovegni Chapel in Padua.
The former soldier, author and double amputee Harry Parker on how The Duchess of Cornwall helped him rediscover his creativity. Interview by Paula Lester; portrait by Clara Molden.
Saad Eddine Said of the New Art Exchange chooses a fascinating modern painting that's full of classical influences.
The visual-arts advisor and curator at Chichester Cathedral chooses a huge painting that is 'an assault on the senses'.
Paul Chesney of Chesneys Fireplaces chooses a classic Renoir.
Teresa Dent of the GWCT chooses a glorious Renaissance masterpiece.
Henry Moore achieved international fame as a sculptor, despite once being denounced for promoting ‘the cult of ugliness'. And he also remained a most unassuming man, finds Laura Gascoigne, as two new exhibitions of his work prepare to welcome visitors.
The director of Chiswick House chooses a dramatic 17th century portrait.