My favourite painting: Rose Balston
Art historian Rose Balston chooses a Gentileschi classic.
Art historian Rose Balston chooses a Gentileschi classic.
The historian MOK O’Keeffe chooses a portrait which hangs in one of London's great houses.
It wasn’t merely brilliant brushwork or sparkling colour that made Sir Joshua Reynolds one of England’s greatest portraitists. His talent for friendship nurtured his extraordinary career, says Susan Jenkins.
The designer Graham Lloyd-Brunt picks a calming and peaceful image.
Freya Simms of LAPADA chooses an exotic 17th century image.
Open skies, shifting clouds and the golden expanse of the beach have inspired artists from John Constable to Antony Gormley, but the sun-bathing throngs have proved a rather less popular subject, as Michael Prodger discovers.
Oliver Spencer of Favourbrook picks a painting of cricket with colours 'to sear into your eyes, burn into the retinas.'
Designer Matthew Williamson chooses an abstract modern piece that contrasts with his professional style.
Will Fisher of Jamb chooses a huge and dramatic Rubens.
Does the meaning of life hide in our mystical relationship with our world, as captured by the cave art of prehistoric men, asks Robin Hanbury-Tenison.
The chef and restauranteur Skye Gyngell chooses an uplifting modern piece.
How lovely to have a beautiful watch to order your life, says Jonathan Self; but how much better to have no need of one at all.
EA Festival founder Joanne Ooi picks a bold image that's a mix of acrylic, ink and oil paint on canvas.
The Lord-Lieutenant of the County of Worcestershire chooses a Piero della Francesca masterpiece.
Wherever you are in Britain, you’re never far from an interesting gallery. Here we present an eclectic round-up of 45 places to see art outside the big cities.
The poet and artist Christopher Jackson chooses 'a macabre picture, with marvellous details': Chatterton by Henry Wallis.
The designer and art consultant Lady Caroline Percy chooses a vision of Ancient Rome by Turner.
Susannah Constantine chooses a painting by her own father, Joseph Constantine.
John Chatfeild-Roberts of the British Sporting Art Trust chooses a classic Munnings image.
The photographer Henry Dallal, a favourite of the late Queen Elizabeth II, chooses a modern take on an ancient Persian image.