My favourite painting: John Lewis-Stempel
The award-winning Nature writer and regular Country Life contributor John Lewis-Stempel chooses a bucolic scene with quite probably the longest title of any artwork ever to feature on this page.
The award-winning Nature writer and regular Country Life contributor John Lewis-Stempel chooses a bucolic scene with quite probably the longest title of any artwork ever to feature on this page.
Gavin Plumley, author and cultural historian, selects an unusual canvas with two painters credited.
Ever since a craze for house portraits reached Britain in the 17th century, great artists such as J. M. W. Turner have been producing sweeping vistas of stately Edens, observes Michael Prodger.
Martha Lytton Cobbold of Historic Houses selects a magnificent depiction of the power of nature.
The journalist and art historian Nick Trend chooses a striking Jan van Eyck portrait.
Extreme weather has long loomed large in the artist’s imagination. Michael Prodger celebrates the poetic beauty of Nature’s all-consuming fury.
Jamie Hambro picks Low Life by Edwin Landseer.
The thriller writer Felix Francis chooses a classic image by Munnings that 'perfectly sums up the excitement of horse racing'.
Hugo Barclay, director of the Affordable Art Fair, chooses an unusual Picasso.
Theatre director Greg Doran chooses a domestic work by one of the great masters.
Victorian artist Marianne North braved jungle rapids, forests and mountains to capture the blowsy beauty of tropical plants on canvas. Carla Passino paints the life of a woman who defied conventions to forge her own path.
The musician Sholto Kynoch picks a Caspar David Friedrich landscape.
Giles Coren picks 'an oil sketch gone wrong' by his school friend Jonathan Yeo.
Carmel Allen, managing director of Tate, chooses an unforgettable image from one of the Scottish Colourists.
There’s more to the Bloomsbury Group than squares, circles and triangles, says Rosemary Hill, who explores what drew its members to London’s WC1 in the first place and the lasting effect they had on it.
The explorer Levison Wood chooses a dramatic portrait of war dating back 150 years.
Claire German of the Design Centre, Chelsea Harbour, chooses an incomparable Tudor portrait of one of the great men of his time: Holbein's portrait of Thomas Cromwell.
The art dealer Anthony Mould chooses a rarity: a human portrait by Stubbs.
From the mauve sky of Waterloo Sunset to the pastoral Arcadia of rolling fields in God’s Own Country, Stephen Millership’s evocative travel scenes capture Great Britain’s soul. Andrew Liddle meets the man behind the art.
Miranda Rock of the Burghley horse trials chooses a floral masterpiece bought almost 350 years ago by two of her ancestors.