My Favourite Painting: Sir Mark Prescott
Racehorse trainer Sir Mark Prescott chooses a haunting portrait.


Sir Mark Prescott on Christina Olson by Andrew Wyeth
'Christina, the artist’s principal model for 20 years, is semi-paralysed. At the end of a long day, she contemplates the warm wind and setting sun, leaning against a weathered door and its out-of-keeping porcelain handle.
'It’s a haunting image, suited to Wyeth’s muted palette and painstaking technique, with which he lovingly portrayed the countryside and the people around Maine for 70 years. It has fascinated me for 50 years.'
Sir Mark Prescott Bt is a leading Flat racehorse trainer.
John McEwen on Wyeth
Andrew Wyeth’s artist father, N. C., was famed as an illustrator, a reputation he despised. Art was a higher calling and Andrew, his youngest child, became his apprentice at 15: ‘Pa kept me almost in a jail.’ The family divided the year between rural Pennsylvania and the Maine coast, so these remained his subjects. As he wrote to his father: ‘I know you were always right when you said the place where you were born is the place for an artist to paint.’
Wyeth said ‘I paint my life’ and he was driven by symbolic moments. On July 12, 1939, he met Betsy Merle James in Maine, who, the same day, introduced him to some neighbours, Alvaro Olson and his sister, Christina. Betsy and Andrew married in 1940. On October 19, 1945, Wyeth’s father died when a train hit his car.
Strangely, October 19 also marked the 1932 start of Wyeth’s apprenticeship and the 1937 opening of his first exhibition. The coincidence turned him introspective. Two subjects consumed him: his neighbours, the Olsons of Cushing in Maine, and the Kuerners of Chadds Ford, Pennsylvania.
In 1948, the New York Museum of Modern Art bought Christina’s World, today Wyeth’s most famous work, which showed Christina, who was paralysed from the waist down, crawling towards her bleak home. This painting, precisely described by Sir Mark, is its predecessor. Wyeth said: ‘Some people say that artists ought to work for utter simplicity. I say to hell with that! Let’s get it all in there!’ But he is not photographic; he changed what he saw to suit his inner compulsion.
Sign up for the Country Life Newsletter
Exquisite houses, the beauty of Nature, and how to get the most from your life, straight to your inbox.
Betsy Wyeth died in Chadds Ford on April 21 last year.
Country Life is unlike any other magazine: the only glossy weekly on the newsstand and the only magazine that has been guest-edited by HRH The King not once, but twice. It is a celebration of modern rural life and all its diverse joys and pleasures — that was first published in Queen Victoria's Diamond Jubilee year. Our eclectic mixture of witty and informative content — from the most up-to-date property news and commentary and a coveted glimpse inside some of the UK's best houses and gardens, to gardening, the arts and interior design, written by experts in their field — still cannot be found in print or online, anywhere else.
-
The century-old enamelling technique used to create Van Cleef's lucky ladybird brooch — which has something in common with Country Life
The technique used in the jeweller's Geneva workshop has been put to good use in its latest creation.
By Hetty Lintell Published
-
‘The best sleep in the sky’: What it’s like to fly in United’s Polaris cabin, approved by American icon Martha Stewart
United’s Business Class cabin goes by the name Polaris and Martha Stewart is a fan. So, how does it fare?
By Rosie Paterson Published
-
'As a child I wanted to snuggle up with the dogs and be part of it': Alexia Robinson chooses her favourite painting
Alexia Robinson, founder of Love British Food, chooses an Edwin Landseer classic.
By Charlotte Mullins Published
-
The Pre-Raphaelite painter who swapped 'willowy, nubile women' for stained glass — and created some of the best examples in Britain
The painter Edward Burne-Jones turned from paint to glass for much of his career. James Hughes, director of the Victorian Society, chooses a glass masterpiece by Burne-Jones as his favourite 'painting'.
By Charlotte Mullins Published
-
'I can’t look away. I’m captivated': The painter who takes years over each portrait, with the only guarantee being that it won't look like the subject
For Country Life's My Favourite Painting slot, the writer Emily Howes chooses a work by a daring and challenging artist: Frank Auerbach.
By Toby Keel Published
-
My Favourite Painting: Rob Houchen
The actor Rob Houchen chooses a bold and challenging Egon Schiele work.
By Charlotte Mullins Published
-
My Favourite Painting: Jeremy Clarkson
'That's why this is my favourite painting. Because it invites you to imagine'
By Charlotte Mullins Published
-
The chair of the National Gallery names his favourite from among the 2,300 masterpieces — and it will come as a bit of a shock
As the National Gallery turns 200, the chair of its board of trustees, John Booth, chooses his favourite painting.
By Toby Keel Published
-
'A wonderful reminder of what the countryside could and should be': The 200-year-old watercolour of a world fast disappearing
Christopher Price of the Rare Breed Survival Trust on the bucolic beauty of The Magic Apple Tree by Samuel Palmer, which he nominates as his favourite painting.
By Charlotte Mullins Published
-
My favourite painting: Andrew Graham-Dixon
'Lesson Number One: it’s the pictures that baffle and tantalise you that stay in the mind forever .'
By Country Life Published