My Favourite Painting: Jemma Powell

The artist and actress Jemma Powell on a Spanish family portrait.

My Wife and My Children, 1897–98, oil on canvas, 63in by 59in, by Joaquín Sorolla y Bastida (1863–1923), Museo Sorolla, Madrid.
My Wife and My Children, 1897–98, oil on canvas, 63in by 59in, by Joaquín Sorolla y Bastida (1863–1923), Museo Sorolla, Madrid.
(Image credit: Alamy)

Jemma Powell on My Wife and My Children by Joaquín Sorolla y Bastida

‘I was introduced to Sorolla by my mother, who is also a painter. He celebrated life and family in everything he painted.

‘This is a glimpse into the Sorolla family’s life‚ a mother, like mine, clearly hands on. A fleeting moment captured, the youngest child tugging playfully on her older sister’s dress as her mother tries to dress her — a scene that feels very familiar, because I’m one of four children.

‘It is an unusual and intimate moment depicting motherhood and couldn’t be further from the forced poses that people once had to sit in for hours when they were painted.’

Jemma Powell is an artist and actress who appeared in Tim Burton’s Alice in Wonderland and The Secret Garden. In October, she hosted her first solo exhibition in London, at Cricket Fine Art

Charlotte Mullins on My Wife and My Children

By 1898, when this was painted, the Spanish artist Joaquín Sorolla y Bastida was in his mid thirties. He had trained in Valencia and, as a young student, he was inspired by the 17th-century realist Velázquez. However, a travel grant to study in Rome followed by subsequent years in France painting en plein air lightened his palette and he spent the rest of his career fascinated by how light fell on his subjects, whether children racing along a breezy shoreline or women seated in a dappled garden.

In this tender study, Sorolla paints his wife, Clotilde García del Castillo, and their three children. The two eldest stand in pink dresses, one looking out at us quizzically as the younger is distracted by the toddler, who pulls at the dress’s hem.

Clotilde ushers them all along, bending at the waist to reach them. She wears a white dress with balloon sleeves that catch the day’s light, a flower tucked into her dark hair. The toddler’s lack of clothes suggest they may be at the seaside, but the background gives nothing away. The unfinished nature of the study — the sleeves barely sketched in, Clotilde’s right arm dissolving to nothingness — gives it an air of spontaneity.

Sorolla increasingly embraced the freedom of working without preparatory drawings and, in later years, enjoyed painting the beaches of Biarritz, as well as his own garden in Madrid. Today, his house and garden in Madrid are open to the public as the Museo Sorolla.


Lady Agnew of Lochnaw, 1892, oil on canvas, 49½in by 39½in, by John Singer Sargent (1856–1925), Scottish National Gallery, Edinburgh.
(Image credit: National Galleries of Scotland /Bridgeman Images)

My Favourite Painting: Rachel Trevor-Morgan

The Queen's milliner Rachel Trevor-Morgan picks Lady Agnew of Lochnaw by John Singer Sargent.

The Wave, 1889, oil on canvas, 119¾in by 198¾in, by Ivan Konstantinovich Aivazovsky (1817–1900), State Russian Museum, St Petersburg, Russia.
(Image credit: Bridgeman Images)

My Favourite Painting: Charles Foster

The writer, barrister and veterinarian Charles Foster on a dramatic seascape by Konstantinovich Aivazovsky.

A Dance to the Music of Time, about 1634–36, oil on canvas, 321⁄2in by 41in, by Nicolas Poussin (1594– 1665), The Wallace Collection, London
(Image credit: Bridgeman)

My favourite painting: Tessa Hadley

Slave Ship by J. M. W. Turner

BST194471 Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On) 1840 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 90.8x122.6 cm; Museum of Fine Arts, Boston, Massachusetts, USA; Photograph © 2022 Museum of Fine Arts, Boston. All rights reserved.; Henry Lillie Pierce Fund.Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840, oil on canvas, 35¾in by 48¼in, by J. M. W. Turner (1775–1851), Museum of Fine Arts, Boston, US.
(Image credit: Bridgeman Images)

My favourite painting: Gilane Tawadros

Writer and curator Gilane Tawadros chooses the harrowing Slave Ship by J. M. W. Turner.

Charlotte Mullins
Contributor

Charlotte Mullins is an art critic, writer and broadcaster. Her latest book, The Art Isles: A 15,000 year story of art in the British Isles, will be published by Yale University Press in October 2025.