Six glorious paintings which perfectly encapsulate the art of the conversation piece

Matthew Dennison celebrates the conversation piece, the intimate Georgian form of portraiture which celebrated families without the usual swagger or posturing.

Painting by Howard Morgan Contemporary conversation piece showing the actress Pandora Clifford and family, permission required from Lady Clifford jane.clifford@btinternet.com
Howard Morgan's contemporary conversation piece showing the actress Pandora Clifford and family. Painting Photographed by Andrew Sydenham for Country Life. ©Country Life Picture Library
(Image credit: Painting Photographed by AndrewS)

Waspish Horace Walpole reached a characteristic verdict on the paintings of his contemporary Francis Hayman, dismissing them as ‘easily distinguishable by the large noses and shambling legs of his figures’. It was not intended as an endorsement.

Beginning in the second quarter of the 18th century, Hayman became an early British proponent of the conversation piece. A form of group portraiture, usually modest in scale, depicting two or more friends or family members in apparently informal tableaux, the 18th-century conversation piece was esteemed for its decorative qualities as well as its ability to capture likenesses and evidence of the relationships between sitters.

It did not aspire to display defects of the big nose and gangly leg variety. Instead, it celebrated other sorts of display – of talents, possessions, lineage, fecundity, sociability, connoisseurship: all the things likely to appeal to Georgian aristocrats and their imitators.

Without the swagger and heroic posturing of grand portraiture, the conversation piece was often domestic, even intimate: sitters depicted at their ease in their houses and gardens, accompanied by children, dogs, horses and servants, or members of clubs and societies caught off duty in a moment of decorative confraternity.

Here are six conversation pieces which capture that spirit.



Conversation Piece (Portrait of Sir Andrew Fountaine with Other Men and Women), by William Hogarth, approx 1730-1735

Conversation Piece (Portrait of Sir Andrew Fountaine with Other Men and Women), by William Hogarth, approx 1730-1735 ©Philadelphia Musem of Art/John Howard McFadden Collection

Undergraduates in a Worcester College Room, by Edward Halliday (1952). The painting explores the relationships between seven students.

Undergraduates in a Worcester College Room, by Edward Halliday (1952). The painting explores the relationships between seven students. Painting ©Estate of Edward Halliday; photograph of the painting ©Worcester College, used by kind permission of the Provost and Fellows of Worcester College

A Portait of the Vigor Family (1774) by Joseph Highmore

A Portait of the Vigor Family (1774) by Joseph Highmore. ©V&A

The Western Family by William Hogarth (© National Gallery of Ireland)

The Western Family by William Hogarth (© National Gallery of Ireland)

W. Chambers, The Townley Collection in the Dining Room at Park Street, Westminster, a watercolour

The Townley Collection in the Dining Room at Park Street, Westminster, a watercolour by W. Chambers © The British Museum / British Museum Images

Anthony van Dyck (1599–1641), Charles I and Henrietta Maria with Prince Charles and Princess Mary (‘The Greate Peece’), 1632 Oil on canvas, 303.8 x 256.5 cm RCIN 405353 Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018 Exhibition organised in partnership with Royal Collection Trust

Anthony van Dyck (1599–1641), Charles I and Henrietta Maria with Prince Charles and Princess Mary (‘The Greate Peece’) - Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018
(Image credit: Anthony van Dyck (1599–1641), Charles I and Henrietta Maria with Prince Charles and Princess Mary (‘The Greate Peece’), 1632 Oil on canvas, 303.8 x 256.5 cm RCIN 405353 Royal Collection Trust / © Her Majesty Queen Elizabeth II 2018 Exhibition organised in partnership with Royal Collection Trust)

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Michael Armitage, The Flaying of Marsyas, 2017. © Michael Armitage. Photo © White Cube (Ben Westoby). Courtesy of the Artist and White Cube.

Credit: Michael Armitage, The Flaying of Marsyas, 2017. © Michael Armitage. Photo © White Cube (Ben Westoby). Courtesy of the Artist and White Cube.

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Madame Cézanne in Blue 1886-7. Part of the collection of the Museum of Fine Arts Houston and featured in the National Portrait Gallery’s exhibition of the painter’s work, 2017-18.

(Image credit: Madame Cézanne in Blue 1886-7. Part of the collection of the Museum of Fine Arts Houston and featured in the National Portrait Gallery’s exhibition of the painter’s work, 2017-18.)

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