Walking the walk: Why properly sustainable interiors set an example to us all

Sustainability isn't just recycling yoghurt pots and newspapers, it's also going to be a vital cornerstone of the interiors world, and some designers and businesses are already leading the way.

Knock on wood: the reception desk at 1 Hotel Mayfair, W1, crafted from a fallen oak tree.
Knock on wood: the reception desk at 1 Hotel Mayfair, W1, crafted from a fallen oak tree.
(Image credit: Jon Day)

Throwaway culture isn’t the preserve of the high street. At more elevated levels, the value of the resources squandered are simply more eye-watering, not least in the world of super-prime property where kitchens and bathrooms are often changed with the arrival of every new owner. It’s not only consigning cabinetry and appliances to the skip that’s the problem: the impact on the environment is pretty crushing, not least the reliance on a textile industry reputed to be second only to the oil industry when it comes to greenhouse gas emissions.

Designers, suppliers and their clients are waking up to the fact there needs to be a focus on sustainability. A measure of the growing interest is that sustainability has been the subject of a increasing number of events at autumn and spring exhibitions staged by the Design Centre, Chelsea Harbour, London SW10.

In March, I chaired an event on B-Corp, the movement that seeks to transform the global economy to benefit all people, communities and the planet. The panel discussion filled the Simpsons London showroom, where panellists, including the interior designer and sustainable-paint specialist Edward Bulmer, discussed exacting criteria that have to be met. The conversation demonstrated that sustainability is a consuming area that touches on almost every aspect of the way a business operates, from sourcing materials to the welfare of its staff, with plenty more in between.

The sustainable approach of Retrouvius is a feature of the rooms at The George in Rye, East Sussex.
(Image credit: The George/Retrouvius)

Some companies that have achieved commendably high standards are understandably wary of shouting too loudly about their credentials, not least because it’s often a strategy of those who ‘protest too much’. Yet, it’s a pity if they don’t wear their sustainability on their sleeve, as businesses also have an opportunity to lead by example.

Some, such as the London design studio Retrouvius founded 30 years ago, were early adopters, but a new wave of highly visible destinations, such as Thyme in the Cotswolds and the new 1 Hotel Mayfair, have woven sustainability into the warp and weft of their businesses. In the reception of the latter, guests are met with a desk made from a fallen tree sourced from the Balcombe estate in West Sussex and a wall faced with a reclaimed dry stone from Yorkshire that flags the hotel’s approach as one that is committed to repurposing and low impact. It presents sustainability as vital and also pretty desirable. As advocates for a new way of living, these businesses are both eloquent and highly convincing.

Giles Kime is Country Life's Interiors Editor


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Giles Kime
Giles Kime is Country Life's Executive and Interiors Editor, an expert in interior design with decades of experience since starting his career at The World of Interiors magazine. Giles joined Country Life in 2016, introducing new weekly interiors features, bridging the gap between our coverage of architecture and gardening. He previously launched a design section in The Telegraph and spent over a decade at Homes & Gardens magazine (launched by Country Life's founder Edward Hudson in 1919). A regular host of events at London Craft Week, Focus, Decorex and the V&A, he has interviewed leading design figures, including Kit Kemp, Tricia Guild, Mary Fox Linton, Chester Jones, Barbara Barry and Lord Snowdon. He has written a number of books on interior design, property and wine, the most recent of which is on the legendary interior designer Nina Campbell who last year celebrated her fiftieth year in business. This Autumn sees the publication of his book on the work of the interior designer, Emma Sims-Hilditch. He has also written widely on wine and at 26, was the youngest ever editor of Decanter Magazine. Having spent ten years restoring an Arts & Crafts house on the banks of the Itchen, he and his wife, Kate, are breathing life into a 16th-century cottage near Alresford that has remained untouched for almost half a century.