The brilliant kitchen designer who scoffed at Minimalism and made rooms in which to live, laugh and love

Interior designed Mark Wilkinson died last year at the age of just 66. Giles Kime pays tribute to a brilliant man, and praises the vision he left behind.

Mark Wilkinson kitchen designer

The designer Mark Wilkinson was one of those many dyslexics who – like da Vinci, Albert Einstein and Pablo Picasso – took more out of dyslexia than dyslexia took out of them (Winston Churchill said the same of Champagne). Not only was he a brilliant designer, but he also had an exceptional capacity for lateral thought that was married with a confidence to plough his own furrow.

In the late 1970s, when fashionable Londoners were falling head over heels in love with heavily engineered Modernist kitchens that had all the charm of an abattoir, he made kitchens initially in pine, and later in oak or painted finishes. Before long, he had a long list of clients, ranging from Michel Roux to Elton John.

Mark Wilkinson kitchen designer

(Image credit: Mark Wilkinson)

Although he died last year at just 66, he lived long enough to see the pendulum swing to and fro. Fashionable Londoners, a fickle bunch at the best of times, flirted with Modernism again a couple of decades later. But by the time of his death he must have been aware that the work he had done to humanise the kitchen – first at Smallbone of Devizes and later under his own name – had not been in vain. Colour, comfort, craftsmanship and an emphasis on materials are all, once again, a key focus for anyone planning a kitchen.

Not only was Wilkinson a brilliant designer, he also had a deep understanding of the skills and technique required to create a beautiful kitchen. Most important, however, was his emotional response to his craft.

‘I hate all this Minimalist stuff,’ he said, ‘I want more friendship, more fun, more love and more laughter.’

Much of his success lay in his innate understanding of his customers and his suspicion of media-driven modishness: ‘contemporary kitchens are those that are featured in magazines, but the classic designs get bought by customers,’ he once told me.

Mark Wilkinson kitchen designer

(Image credit: Mark Wilkinson)

One of his many legacies was his recognition that kitchen design is not just about building furniture, but creating a comforting space. It’s a lesson, not just for kitchen designers, but also for anyone creating a home for themselves or for other people.

Furniture provides somewhere to sit, eat, sleep, work and relax, but thoughtful interior design creates somewhere to live.


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Giles Kime
Giles Kime is Country Life's Executive and Interiors Editor, an expert in interior design with decades of experience since starting his career at The World of Interiors magazine. Giles joined Country Life in 2016, introducing new weekly interiors features, bridging the gap between our coverage of architecture and gardening. He previously launched a design section in The Telegraph and spent over a decade at Homes & Gardens magazine (launched by Country Life's founder Edward Hudson in 1919). A regular host of events at London Craft Week, Focus, Decorex and the V&A, he has interviewed leading design figures, including Kit Kemp, Tricia Guild, Mary Fox Linton, Chester Jones, Barbara Barry and Lord Snowdon. He has written a number of books on interior design, property and wine, the most recent of which is on the legendary interior designer Nina Campbell who last year celebrated her fiftieth year in business. This Autumn sees the publication of his book on the work of the interior designer, Emma Sims-Hilditch. He has also written widely on wine and at 26, was the youngest ever editor of Decanter Magazine. Having spent ten years restoring an Arts & Crafts house on the banks of the Itchen, he and his wife, Kate, are breathing life into a 16th-century cottage near Alresford that has remained untouched for almost half a century.