How the marbled wallpaper micro revival could go mainstream

Marbled paper has been popular, on and off, since the 9th century. Now it’s enjoying a micro revival — and one which Giles Kime is delighted to see.

Marble wallpaper is enjoying a renaissance.
Marble wallpaper is enjoying a renaissance.
(Image credit: Salvesen Graham / Beata Heuman)

There’s something deeply reassuring in the fact that there is rarely much that is new in interior design, only a process of revolution and counter revolution often spanning centuries, if not millennia.

Although it might currently be considered daringly modish to paint your walls black, David Hicks was doing it half a century ago and Sir Edwin Lutyens half a century before that. Modernists may like to consider themselves rather edgy, but Modernism was already pretty edgy a whole century ago, when Eileen Gray designed the romantically named House E-1027 at Roquebrune-Cap-Martin.

For those of us with long memories, there’s something thrilling about this ebb and flow, in particular the nostalgic micro revivals: cabbagey plates, Constance Spry vases, flokati rugs, lustreware, and so on. The latest is marbling, a pattern that hasn’t been seen since the heady days of the 1980s, when a whole generation of homeowners enthusiastically embraced it, together with other paint finishes such as ragging, dragging, stippling and more.

Needless to say, faux marbling has been discovered and forgotten numerous times; examples were found at Pompeii and it was popular in the 18th and 19th century — there was even a celebrity marbler, Thomas Kershaw, who exhibited at the Exposition Universelle and worked at both Buckingham Palace and Osborne House.

Rosi de Ruig's marbleised paper lampshades

The art of paper marbling is thought to have originated in China in the 9th century and later became popular in the Islamic world, reaching Europe during the Renaissance. Over the following centuries, it was used in bookbinding, as well as for lining chests, drawers and bookshelves.

In the current micro revival, marbling tends to be used in moderation, but when employed as wallpaper, it can create a rich and enveloping look. Although the costs are high, the rewards for taking the plunge can breathtaking, as evidenced by the beautiful bathroom by Salvesen Graham that features marbled wallpaper from the interior designer Beata Heuman.

A more discreet decorative touch can be achieved with the marbleised shades offered by Rosi de Ruig. The chances are that this is a micro revival that could become a macro one. Let’s hope so.


Drummonds - bathroom with antique marble bath

Drummonds bathroom.
(Image credit: Drummonds - bathroom with antique marble bath)

The marble bath so beautiful the rest of the room was designed around it

Giles Kime admires a pared-down space capped off with an antique marble bath that sets the tone.

Charnwood fire

Credit: Charnwood

Seven gorgeous fires to keep you warm this winter, from clean and green to striking marble

Credit: Savills

The breathtaking conversion of a mansion on the edge of the Lake District, complete with marble columns, carved staircases and oil paintings

This conversion of a Victorian mansion near Ulverston has been done with rare care and attention to detail. James Fisher

Giles Kime
Giles Kime is Country Life's Executive and Interiors Editor, an expert in interior design with decades of experience since starting his career at The World of Interiors magazine. Giles joined Country Life in 2016, introducing new weekly interiors features, bridging the gap between our coverage of architecture and gardening. He previously launched a design section in The Telegraph and spent over a decade at Homes & Gardens magazine (launched by Country Life's founder Edward Hudson in 1919). A regular host of events at London Craft Week, Focus, Decorex and the V&A, he has interviewed leading design figures, including Kit Kemp, Tricia Guild, Mary Fox Linton, Chester Jones, Barbara Barry and Lord Snowdon. He has written a number of books on interior design, property and wine, the most recent of which is on the legendary interior designer Nina Campbell who last year celebrated her fiftieth year in business. This Autumn sees the publication of his book on the work of the interior designer, Emma Sims-Hilditch. He has also written widely on wine and at 26, was the youngest ever editor of Decanter Magazine. Having spent ten years restoring an Arts & Crafts house on the banks of the Itchen, he and his wife, Kate, are breathing life into a 16th-century cottage near Alresford that has remained untouched for almost half a century.