Bobbin furniture: The timely revival of a look that proves less isn’t always more

The bulbous charm of bobbin furniture is enjoying a timely revival, says Giles Kime.

The charming new Broughton bobbin chair, in Chalk White, from Vaughan Designs.
The charming new Broughton bobbin chair, in Chalk White, from Vaughan Designs.
(Image credit: Vaughan Designs)

Carefully considered simplicity is surprisingly hard work. The process of distilling the necessities of function so that they disappear in a haze of clean lines requires a designer with the skills of Sir Jonathan Ive, the visionary creator of the iPhone. When applied to furniture and brought to life in beautiful materials with texture and depth of colour, such as bronze, marble and timber, it’s a highly seductive combination. And yet, yet, en masse it can be overwhelmingly dull, like a Modernist hotel or an airport lounge (remember those?).

After a decade or two dominated by pared-back, less-is-more, designed-to-within-an- inch-of-its-life design, there’s something refreshing about the exuberant shapes and textures of objects that celebrate the materiality of bold, often handmade, shapes. It’s a quality explored in Design Secrets (£25, Hardie Grant) a brilliant new book by the cheerleader of British craft, Kit Kemp, whose hotels in London and New York eloquently express the way the handmade can add depth and meaning to an interior. From exquisite embroidered headboards by Pippa Caley to the collection of 52 baskets that hang above the bar at the Whitby in midtown Manhattan, the pieces prove she’s a designer who rejoices in strong shapes.

This Bobbin bench is part of the Julian Chichester range.
(Image credit: Julian Chichester)

This new love of the robustly decorative could explain the revival of bobbin furniture, also known as spool furniture in the US (not to be confused with furniture made from repurposed cable spools). Originally the work of bodgers, the itinerant woodturners who made decorative chair legs in woodland workshops, bobbin-style furniture was hugely popular in 17th-century Europe and later in the US, where machine lathes transformed the arduous process. The latter spawned a taste not only for chairs, but also for tables, shelves, bed frames, cribs and mirrors with the same agreeably homespun charm as fretwork.

A new addition to the proliferating choice of bobbin furniture is the new Broughton chair from Vaughan Designs, which demonstrates the infinite possibilities of the style’s striking profile. Another early adopter is Julian Chichester, whose range includes beds, chairs and benches, feeding the growing demand for this appealing style of furniture. Look out for others, notably Alfred Newall, whose capsule collection of bobbin furniture has a crisp, contemporary edge.

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Giles Kime
Giles Kime is Country Life's Executive and Interiors Editor, an expert in interior design with decades of experience since starting his career at The World of Interiors magazine. Giles joined Country Life in 2016, introducing new weekly interiors features, bridging the gap between our coverage of architecture and gardening. He previously launched a design section in The Telegraph and spent over a decade at Homes & Gardens magazine (launched by Country Life's founder Edward Hudson in 1919). A regular host of events at London Craft Week, Focus, Decorex and the V&A, he has interviewed leading design figures, including Kit Kemp, Tricia Guild, Mary Fox Linton, Chester Jones, Barbara Barry and Lord Snowdon. He has written a number of books on interior design, property and wine, the most recent of which is on the legendary interior designer Nina Campbell who last year celebrated her fiftieth year in business. This Autumn sees the publication of his book on the work of the interior designer, Emma Sims-Hilditch. He has also written widely on wine and at 26, was the youngest ever editor of Decanter Magazine. Having spent ten years restoring an Arts & Crafts house on the banks of the Itchen, he and his wife, Kate, are breathing life into a 16th-century cottage near Alresford that has remained untouched for almost half a century.