Blending antiques, colours and design to create a beautiful room
Giles Kime takes a look at the work of Max Rollitt, focusing on this beautiful room in an 18th century house in London.
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Despite being based in rural Hampshire, Max Rollitt has clients all over the world and, although his aesthetic is firmly rooted in the classic English tradition, he uses a mix of bold colour and furniture with striking silhouettes to create a highly distinctive, almost contemporary look.
His style is based on his deep understanding of the antique furniture in which he has been dealing since his early twenties — knowledge he used to design his own range in 2006, which includes upholstered furniture such as this Katzic sofa, based on a 18th-century piece he bought from a Lancashire manor house.
Both the sofa and the stool are upholstered in the same antique French linen he dyed a vibrant yellow.
The pair of chairs is based on originals made for the Earl of Moray in 1808.
This scheme was created for an 18th-century house in Spitalfields. It’s typical of Mr Rollitt’s work in that it combines both new pieces from his own range, as well as rare antique pieces, such as a late-18th-century marquetry chest decorated with a seaweed design, a wrought-iron Liberty lamp from the late 19th century and a lamp base made from a Chinese vase.
The scheme also features the work of the designer Marianna Kennedy, who designed the overmantel above the fireplace and a blind in semi-transparent cloth used to bind books (020– 7375 2757; www.mariannakennedy.com).
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Max Rollitt (www.maxrollitt.com)
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