To create this stunning bedroom, Emma Burns, one of the principal design directors at Sibyl Colefax & John Fowler, took the unusual step of blocking off a south-facing window in the sitting room of her 19th-century townhouse and replacing it with a fireplace. ‘Although it was sad to lose the light, I felt it was important to create a focal point,’ she explains. ‘Architecture is critical to grounding a room.’
The deep hues of the colour scheme were inspired by the crocodile leather strap of Emma’s watch. ‘It’s my daughter’s room and, when I asked her what colours she liked, she drew a blank before pointing at the brown strap of my watch.’
The walls, woodwork, curtains, bed head and valance are all in the same colour: a delicious dusty-chocolate colour. Paint was sourced from Papers and Paints’ collection of 1950s colours, 5-063, and the fabric is Nicky Haslam’s Chocolate Glazed Linen.
The roller blinds in Wildflower from Chelsea Textiles add a touch of prettiness; Emma first spotted the pattern on a dress worn by Keira Knightley in the film Pirates of the Caribbean.
In the small space between the windows stands a handsome semainier (a tall, narrow chest of drawers), on which Emma has placed a 1960s Murano glass lamp with a pin-prick shade from Robert Kime.
The bedside lamps are Sibyl Colefax & John Fowler’s classic Queen Anne design with flattened oval shades and the white bedspread — sourced in Delhi — provides a crisp counterpoint to the browns.
Sibyl Colefax & John Fowler — 020–7493 2231; www.sibylcolefax.com
Credit: Simon Brown
The dovecote which became a delightful country home
A long career at Sibyl Colefax & John Fowler was the perfect preparation for Emma Burns’s greatest design challenge yet:
Credit: Andreas von Einsiedel
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