Brodsworth Hall's 150-year-old follies — restored, reopened and remarkable
Brodsworth Hall's gardens and unusual follies have been restored during lockdown. Annunciata Elwes takes a look.


A Victorian rose garden, an Eyecatcher ‘ruin’ and an unusual Swiss-style Target House are among garden features newly restored to glory at English Heritage’s Brodsworth Hall, South Yorkshire, after a year of conservation works.
Both follies were built in 1866 by the Thellusson family and the Archery House, as it was then known, was used as a shelter during archery tournaments. When the army requisitioned the hall during the Second World War, things moved swiftly towards modern weaponry, with the long avenue in front of the rechristened Target House deemed perfect for rifle practice.
Now repointed and replastered, with slates and rotten timber replaced, it’s the ideal home for a new exhibition featuring historical photographs, bespoke illustrations and life-size graphic representations showing how Archery House was furnished.
The Eyecatcher, a focal point in the landscape from Target House and probably built using remnants from one of the older Brodsworth Halls, has also been repaired and is now surrounded by 1,000 British native ferns. You can see it at the 31:45 mark in this video at English Heritage's Facebook page.
Meanwhile, much work has gone into re-creating Brodsworth’s 19th-century rose garden, which now contains more than 200 ramblers, shrub and climbing varieties such as Rosa ‘Chapeau de Napoléon’, Rosa banksiae ‘Lutescens’ and ‘Souvenir de Mme Léonie Viennot’.
‘We’ve put a lot of time into investigative work… making sure that we follow the original bedding plans for the Target Range and the rose garden,’ explains head gardener Dan Hale.
‘We were very lucky in that we were able to look to historic photographs that revealed the historic planting schemes, enabling us to re-create the garden with accuracy. With 1,000 British native ferns planted around the Eyecatcher and roses that would have been popular during the Victorian period in bloom, walking through the range is now like looking through a little window into the past.’
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Annunciata grew up in the wilds of Lancashire and now lives in Hampshire with a husband, two daughters and an awful pug called Parsley. She’s been floating round the Country Life office for more than a decade, her work winning the Property Magazine of the Year Award in 2022 (Property Press Awards). Before that, she had a two-year stint writing ‘all kinds of fiction’ for The Sunday Times Travel Magazine, worked in internal comms for Country Life’s publisher (which has had many names in recent years but was then called IPC Media), and spent another year researching for a historical biographer, whose then primary focus was Graham Greene and John Henry Newman and whose filing system was a collection of wardrobes and chests of drawers filled with torn scraps of paper. During this time, she regularly gave tours of 17th-century Milton Manor, Oxfordshire, which may or may not have been designed by Inigo Jones, and co-founded a literary, art and music festival, at which Johnny Flynn headlined. When not writing and editing for Country Life, Annunciata is also a director of TIN MAN ART, a contemporary art gallery founded in 2021 by her husband, James Elwes.
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