Town mouse visits Masterpiece 2015

Marvels of Masterpiece.

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I left Masterpiece with my head spinning. Every sort of desirable artwork or bibelot was on offer: Thracian coins, Sèvres vases, illuminated manuscripts, Aboriginal paintings, anatomical models, mahogany furniture, diamonds to delight even Marilyn Monroe’s Lorelei Lee. It may be that the auction price of contemporary works continues to defy gravity, but plenty of money seems left for other styles of collecting.

What, I wondered somewhat academically, could I live with most comfortably at home? There was a lovely fragment of an Egyptian head that would have sat happily on my desk, making me forever wonder what the whole figure would have been like.

So many marvels and one more as I made for the exit. There was the Savills stand, where they gave me a pair of goggles to try Horoma neither a dance nor a foodstuff, but a ‘bleeding edge, real property visualisation solution’.

In the manner of a video game, it enables you to walk through a building (in this case, a country house called Furze Croft) without actually being there: you go wherever you look, up into the air for a view of the roof if you want to. Only don’t look down: they’ve left out the floor, so you feel as if you’re standing at the edge of a cliff. I did say that my head spun.

spectator

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Lucy Baring doesn’t have fish fever.

Country mouse spots a hedgehog

Sightings to savour.

Clive is a writer and commentator on architecture and British life, who began work at Country Life in 1977 -- he was editor of the magazine from 1993-2006, becoming the PPA's Editor of the Year. He has also written many books, including The Edwardian Country House and The American Country House. His first novel The Birdcage was published in 2014.