Town mouse in Palermo

Located at a cultural crossroads, Clive finds Palermo once more in the middle of international affairs

Town mouse; country life
town mouse new
(Image credit: Country Life)

In Palermo, a lawyer told me that Sicily, long used by NATO and American forces, now supports one of the centres from which the USA controls its drones. The people of the countryside around about are concerned at finding themselves on the frontline. Whatever problems London might have pale by comparison.

Although a bigger player in the conflicts of the world, Britain watches from a distance, but you only have to look at the unseaworthy vessels, with their desperate cargoes of humanity, struggling towards Lipari to realise that Sicily finds itself, once again, in the middle of things. It has always been a place of cultural intersection.

The mosaic of Roger II in the church of the Martorana shows him being crowned by Christ—a bit of a cheek, when you consider that he kept a harem. Arab tastes survive in the cuisine, with pasta spiced with sultanas and almonds. Before catching my plane home, I just had time to visit the puppet museum.

The pupi, wooden puppets several feet tall and dressed in feathered plumes and armour, were hugely popular before the advent of television. To the accompaniment of dramatic stamping from the puppet masters, they enacted medieval romances, with a different instalment presented each night for several weeks. Christians fought Moors, in tales derived from the Crusades. An updated version would feature drones.

* This article was first published in Country Life magazine on September 10 2014

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Clive is a writer and commentator on architecture and British life, who began work at Country Life in 1977 -- he was editor of the magazine from 1993-2006, becoming the PPA's Editor of the Year. He has also written many books, including The Edwardian Country House and The American Country House. His first novel The Birdcage was published in 2014.