Turvey House, Bedfordshire — the home of Charlie and Grace Hanbury — has never before been featured in Country Life, and it is a great pleasure to correct that. This fine neo-Classical house has recently been adapted and refurbished by the seventh generation of the family that built it. Jeremy Musson reports; photographs by Paul Highnam.
Walcot, Oxfordshire — the home of Hugo and Silka Rittson Thomas — has been revived by its creative owners, who have complemented its blend of old and new architecture with a striking collection of modern art, as Jeremy Musson reveals. Photographs by Hugo Rittson Thomas.
Jeremy Musson looks at the restoration of Sheringham Hall in Norfolk, the home of Paul Doyle and Gergely Battha-Pajor, looking at the outstanding Regency house, its garden, and its celebrated Repton landscape. Photographs by Paul Highnam for Country Life.
Sheringham Hall in Norfolk, the home of Paul Doyle and Gergely Battha-Pajor, is a house and landscape that constitutes one of the most important expressions of Regency Picturesque theory to survive in England. Jeremy Musson takes a look at its creation, with photographs by Paul Highnam for Country Life.
Sherlock Holmes had an eye for architectural detail, an interest derived from his creator, Arthur Conan Doyle. Jeremy Musson looks at how it emerges in the books, with the help of specially commissioned drawings by Matthew Rice for the Country Life Picture Library.
Stubton Hall in Lincolnshire is a distinguished Regency country house which makes its first appearance in Country Life following a transformative restoration. Jeremy Musson tells more; photographs by Paul Highnam.
Nithurst Farm in West Sussex is a striking new house designed by architect Adam Richards for himself and his family draws on remarkably eclectic sources, from Vanbrugh to Art House cinema. Jeremy Musson reports, with photographs by Will Pryce for the Country Life Picture Library.
Between 1863 and 1865, Sir George Gilbert Scott created a new lodge for the Master of St John’s College, Cambridge. Following its recent restoration, Jeremy Musson tells the story of this remarkable project.
Columbine Hall is a medieval moated manor house, lovingly re-imagined as the beau idéal of an English country home. Jeremy Musson reports on this remarkable achievement, with photographs by Paul Highnam.
Jeremy Musson delves into the history of the country house drawing room.
Agatha Christie set many of her murder mysteries in country houses. With the help of specially commissioned drawings by Matthew Rice, Jeremy Musson looks at the architecture of the buildings she knew — and those which she imagined.
From its medieval foundations to its recent renewal, the Bishop's Palace has been a canvas upon which the successive bishops of Peterborough have left their distinctive marks. Jeremy Musson visited for Country Life back in 2001, with Paul Barker taking the photographs.
The subtle remodelling and extension of an older cottage in the Cotswolds style by architect Robert Franklin is an exemplary essay in the Arts-and-Crafts spirit. Jeremy Musson reports, with photographs by Paul Highnam.
One of our great Victorian poets had an impact far beyond the words she committed to paper. Jeremy Musson takes a look at a new exhibition looking at Christina Rossetti's influence on the world of art.
A compact 1620s house in a rural setting near the Rollrights is a work of art in itself, as befits its art dealer owners, says Jeremy Musson.
A Yorkshire mill-owner and merchant created a flamboyant and cosmopolitan home, as Jeremy Musson explains.
Upton House, just outside Tetbury, is a beautiful Georgian house that has been brilliantly extended in a manner which is so sympathetic as to be scarcely noticeable. Jeremy Musson paid a visit, while Will Pryce took the photographs.
An award-winning country house was completed in 2014 by Dorset-based architect Stuart Martin. Jeremy Musson explores the themes of this clever and compact design in the Classical tradition.
Brilliant for bookworms: Jeremy Musson considers some of the finest school libraries in the country.
The country houses of PG Wodehouse were central to many of his books – which was your favourite?
