'As a child I wanted to snuggle up with the dogs and be part of it': Alexia Robinson chooses her favourite painting
Alexia Robinson, founder of Love British Food, chooses an Edwin Landseer classic.
Charlotte Mullins is an art critic, writer, broadcaster and regular contributor to Country Life. You can follow her on Twitter here.
Alexia Robinson, founder of Love British Food, chooses an Edwin Landseer classic.
Geraldine Collinge, the director of Compton Verney art gallery in Warwickshire, selects Pierre-Jacques Volaire's An Eruption of Vesuvius by Moonlight.
Rachel Podger, one of the world's leading violinists who specialises in Baroque music, chooses one of Vincent van Gogh's 'Sunflowers'.
The painter Edward Burne-Jones turned from paint to glass for much of his career. James Hughes, director of the Victorian Society, chooses a glass masterpiece by Burne-Jones as his favourite 'painting'.
The actor Rob Houchen chooses a bold and challenging Egon Schiele work.
Christopher Price of the Rare Breed Survival Trust on the bucolic beauty of The Magic Apple Tree by Samuel Palmer, which he nominates as his favourite painting.
The artistic director of Sadler's Wells chooses a painting created 'purely to aid reflection and contemplation'.
The great architect Norman Foster — aka Lord Foster of Thames Bank — chooses a Lowry given to him as a present by his wife.
The Childs Farm founder on a 'bruiser' bull.
Military historian Allan Mallinson picks an image of 'faith, generosity and ultimate sacrifice'.
The actor Ashley Campbell on a work that 'explodes with vivid, almost graffiti-like strokes'.
Keith Halstead of the Royal Countryside Fund chooses a scenic image by Edward Seago.
CLA President Victoria Vyvyan selects a religious engraving by Albrecht Dürer.
Melanie Vandenbrouck, chief curator at Pallant House Gallery in Chichester, chooses a Jadé Fadojutimi image.
The award-winning Nature writer and regular Country Life contributor John Lewis-Stempel chooses a bucolic scene with quite probably the longest title of any artwork ever to feature on this page.
Gavin Plumley, author and cultural historian, selects an unusual canvas with two painters credited.
Industrialist and explorer Sir David Hempleman-Adams selects a beguiling Egon Schiele work.
Martha Lytton Cobbold of Historic Houses selects a magnificent depiction of the power of nature.