Barbara Newman
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BalletBoyz: Life Review
These young men are terrific dancers and compelling performers, and their impeccable teamwork gives their repertory its distinctive edge, says our reviewer
By Barbara Newman Published
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Akhnaten at the London Coliseum
Akhnaten has been revived at English National Opera after more than 30 years.
By Barbara Newman Published
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Two must-see ballets
Barbara Newman reviews a new production of Giselle by the Royal Ballet, and Mark Bruce's re-imagining of The Odyssey
By Barbara Newman Published
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New dance and music pieces
Our reviewer sees two productions around the theme of mystery, Kodo’s fusion of dance, theatre and music and Christopher Wheeldon’s latest work for the Royal Ballet.
By Barbara Newman Published
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Mime Festival review: 'Silence seldom speaks so clearly'
Now in its 40th year, the London International Mime Festival brings together the best contemporary visual theatre from around the world.
By Barbara Newman Published
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Elizabeth review: 'dance and theatre mesh seamlessly'
A joyful piece exploring the public and private personas of Elizabeth I is showing at the Linbury Studio Theatre for a limited time this month
By Barbara Newman Published
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See the best new dance on screen
If you can't get to a performance, these DVDs and films are a good way to get your fix of dance this spring
By Barbara Newman Published
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Carlos Acosta's Carmen and Gravity Fatigue review
Two modern dance productions leave Barbara Newman wondering about the reactions to unclothed artists in this day and age
By Barbara Newman Published
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Review: Baila Brazil
Country Life's dance critic reviews a high-energy celebration of the Brazilian spirit at the Southbank Centre.
By Barbara Newman Published
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Review: Life in Progress
Barbara Newman views both great and good dancers on the ballet stage.
By Barbara Newman Published
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Review: Shubbak Festival
Barbara Newman finds fascinating choreography in a current London festival.
By Barbara Newman Published
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Review: Coup Fatal at Sadler's Wells
Our dance critic reviews an unusual new work at Sadler’s Wells.
By Barbara Newman Published
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Review: d’avant and Betrayal
Country Life's dance critic reviews two new contemporary dance productions: d’avant and Betrayal.
By Barbara Newman Published
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Ballet review: Woolf Works
Barbara Newman reviews Wayne McGregor's new ballet triptych inspired by the works of Virginia Woolf.
By Barbara Newman Published
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Review: The Murmuring
Country Life's dance critic reviews The Murmuring and Roméo et Juliette.
By Barbara Newman Published
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Diana Vishneva: On the Edge
Country Life's dance critic reviews Diana Vishneva: On the Edge.
By Barbara Newman Published
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Review: Candoco Dance Company in Jérôme Bel’s The Show Must Go On
Country Life's dance critic finds much to enjoy in Jérôme Bel’s exhilarating production.
By Barbara Newman Published
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Review: What The Body Does Not Remember
Barbara Newman applauds a revived work by revered Belgian choreographer-filmmaker Wim Vandekeybus.
By Barbara Newman Published
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Review: Onegin
Country Life's dance critic considers two new productions of Onegin.
By Barbara Newman Published
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The Royal Danish Ballet’s Bournonville Celebration
Barbara Newman welcomes a rare visit from the Royal Danish Ballet.
By Barbara Newman Published
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Contemporary dance review: JOHN & Dancing Away
Country Life's dance critic reviews JOHN and Dancing Away, two new contemporary productions.
By Barbara Newman Published
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Book review: Irina Baronova and the Ballets Russes de Monte Carlo
Country Life's dance critic reviews Irina Baronova and the Ballets Russes de Monte Carlo, a new book by Victoria Tennant.
By Barbara Newman Published
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The best shows to see this Christmas
From traditional ballet to contemporary dance, we round up the best shows to see this Christmas.
By Barbara Newman Published
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Review: Jean-Philippe Rameau and John Adams
Our dance critic reviews two new productions.
By Barbara Newman Published