The extraordinary Egyptian-style Leeds landmark hoping to become a second British Library — and they used to let sheep graze on the roof
The project has been awarded £10million from the Government, but will cost £70million in total.


A project to convert an extraordinary Egyptian-style Victorian mill in Leeds into the northern outpost of the British Library has been awarded £10 million from the Government. The total cost of the conversion is estimated at £70 million and, although the scheme received £1 million from Historic England in 2022 to make the landmark watertight, there is some way to go.
A Grade I-listed former flax-spinning mill, Temple Works has been empty for 20 years. It was built in 1838–40 for John Marshall by architect Joseph Bonomi and engineer James Coombe, inspired by the Temple of Edfu. Unlike its Egyptian counterpart, it was famous for its flat roof covered in grass, which maintained humidity in the building (preventing linen thread from snapping) and notoriously allowed the owners to graze sheep. They reached the roof via the world’s first hydraulic lift and, apparently, visitors flocked from far and wide to see the spectacle. With two front bays collapsed, Temple Works has been on the Buildings at Risk Register since 2008.
An artist's impression of what Temple Works could like after renovation works
‘We have worked hard in recent months with partners, including the West Yorkshire Combined Authority, Homes England and the British Library itself, to make the case for this funding,’ says councillor James Lewis, leader of Leeds City Council. He adds that the next job is to create ‘detailed plans for the full funding, design and development of a project that remains a complex and challenging undertaking, but one that offers a major regeneration opportunity’.
Leeds Civic Trust director Martin Hamilton calls the building’s British Library North regeneration ‘hugely important’, particularly for its impact on local communities. There are more than 230 vacant and under-used mills in Yorkshire, according to a recent Historic England report.
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Annunciata is director of contemporary art gallery TIN MAN ART and an award-winning journalist specialising in art, culture and property. Previously, she was Country Life’s News & Property Editor. Before that, she worked at The Sunday Times Travel Magazine, researched for a historical biographer and co-founded a literary, art and music festival in Oxfordshire. Lancashire-born, she lives in Hampshire with a husband, two daughters and a mischievous pug.
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