The vast and audacious architecture of London's greatest theatres

Roger Bowdler takes a look at 'London’s Great Theatres', a new book by Simon Callow with photography from Derry Moore.

Seating at the Apollo Victoria, Photograph by Derry Moore.
Seating at the Apollo Victoria, Photograph by Derry Moore.
(Image credit: Derry Moore)

It must be such fun going to the theatre with Simon Callow. He is entranced by the history of the London stage and has a sharp eye for its setting. Reading this handsome book is guaranteed to enrich any West End outing.

Theatres are audacious buildings. They are vast, complicated and tricky to design. They have to cope with droves of people dashing for the bar or for the exit; they have to be fireproof; they have to sound right and entice the audiences back over and over again (not to mention the small matter of actually staging plays). Great theatres entrance: their decoration entices and the gilded muses, gods, nymphs and legends that enrich them are all part of the spell.

Wiltons Music Hall in Whitechapel, London, UK. Photograph by Alamy.
(Image credit: Alamy Stock Photo)

Mr Callow tells the story of 27 of the finest, ranging from the neo-Classical majesty of the Theatre Royal, Drury Lane, to the 1970s concrete of the (Royal) National Theatre, for which he has a hesitant admiration.

The Theatre Royal, Drury Lane, Covent Garden, West End, London, England, 1809. Photograph from Alamy.
(Image credit: Alamy Stock Photo)

The theatres’ intricate histories are told with great aplomb by Mr Callow, an established author, as well as a celebrated actor. Acting and architecture are cleverly entwined. This is a people-led history: Laurence Olivier, marginalised in the creation of the National Theatre, ‘lashed out on all sides, like Richard III at bay’.

Derry Moore’s photographs are beguiling. He captures the silent splendour of theatre interiors and records the abstract beauty of a bank of seats, or the lighting effects that contribute so much of their glamour. The Savoy Theatre, revamped in 1929 by Basil Ionides, comes out particularly well in these images; so, too, does Wilton’s Music Hall, an outlier in the East End that exults in shabby splendour.

Entrance courtyard to the refurbished Savoy Hotel in London - reopened in October 2010. Photograph by Alamy.
(Image credit: Alamy Stock Photo)

One happy theme that comes across repeatedly is how preserving these historic places has made good business sense. So much originally depended on the impresarios who risked all in rebuilding their premises. The new heroes are Nica Burns, Cameron Mackintosh and Andrew Lloyd Webber, who now invest hugely in these highly successful old buildings. And what wonderful buildings they are.

London’s Great Theatres, Simon Callow and Derry Moore (Prestel, £29.99)


London Skyline

Credit: Getty Images

Where to buy in London right now, from 'hidden gem' conservation areas to the capital's best up-and-coming areas

There’s more to London than prime central — nine zones more, in fact. Eleanor Doughty advises on where in the

A murmuration of starlings shapes the sky at dusk, near the town of Gretna in the south of Scotland.
(Image credit: Alamy)

Jason Goodwin: 'The flock widened and contracted, filling the whole sky with motion: expansive, pure theatre'

Our spectator columnist comments on the end of summer, as murmurations of wheeling and diving birds herald the beginning of

Country Life

Bringing the quintessential English rural idle to life via interiors, food and drink, property and more Country Life’s travel content offers a window into the stunning scenery, imposing stately homes and quaint villages which make the UK’s countryside some of the most visited in the world.