The painting that secured Titian’s reputation as 'the greatest painter of the Venetian Renaissance' is going up for sale, 30 years after it was recovered in a carrier bag in the most unlikely of spots.
A Titian masterpiece with a tumultuous past will headline Christie’s Old Masters Part I sale on July 2 when it goes under the hammer with an estimate of £15m to £20m. Rest on the Flight into Egypt, depicting the Holy Family in repose in a bucolic landscape, was painted when Titian was only about 20 years old; since then, it has passed through the ownership of Archdukes and Holy Roman Emperors, and was looted by Napoleon’s troops in Vienna, Austria, in 1809. Acquired by the 4th Marquess of Bath in 1878, it has been in the collection of his Wiltshire estate, Longleat, ever since — more or less.
‘The picture has a remarkably illustrious history, but it is its theft from Longleat in 1995 that seems to have captured the wider public’s imagination,’ explains Christie’s international deputy chairman Henry Pettifer. ‘It was famously stolen from the first-floor State Drawing Room and was missing for seven years until it was found, in 2002, in a carrier bag at a London bus stop, thankfully unharmed, after a reward was offered.’
Rest on the Flight into Egypt was returned to Longleat, and has since been lent only once (to the National Gallery in 2012). Almost 150 years since it last came up for auction, this is a rare chance to see the work close-up, and in the words of Christie’s Maja Markovic, ‘appreciate the pictorial poetry that secured Titian’s reputation as the greatest painter of the Venetian Renaissance.’
As we understand it, there is some mystery over whether a ransom demand was ever issued, or whether the widely publicised £100,000 reward was ever paid. What we do know is that it was recovered by a former Scotland Yard detective chief inspector, Charles Hill. The same detective is also credited with recovering Edvard Munch’s The Scream, stolen that same decade.
‘This is the most important work by Titian to come to the auction market in more than a generation and one of the very few masterpieces by the artist remaining in private hands,’ adds Andrew Fletcher, Christie’s global head of Old Masters. ‘It is a truly outstanding example of the artist’s pioneering approach to both the use of colour and the representation of the human form in the natural world.’
The Christie’s website has more details of this and the other lots, which include Mares and Foals in an extensive landscape by George Stubbs (estimate: £7m-£10m) and The Madonna of the Cherries, painted around 1520 by Quentin Metsys, the founding figure of Antwerp School, whose later followers included Peter Paul Rubens and Anthony van Dyck.
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